Popular music in all its shapes and forms has permeated my life since my pre-teen years and has remained both an intimate and professional preoccupation of mine throughout my life, even when I was doing other things professionally. Books dealing with all aspects of music, from artist biographies to its cultural and social examinations have been and remain that essential element that both fuel and satisfy that interest and give it that expanded feature it needs. As somebody who has a degree in journalism and had careers as a journalist, diplomat, and a translator, and now as a freelance writer, music and books on music remain that thread that connects them all.
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From The Piles: Music News & Opinion
Writing about any specific subject, even if it is something so imaginative and free-wheeling like music can have its constraints, particularly if it is done for specific publications. Printed or online. Having your own space or space, where you can express your opinions and ideas about a certain subject gives you the possibility to express yourself in writing form and show what you really feel and think.
When discussing music, my outlet in that respect is ‘From the Piles.’ As a writer who deals with music reviews on a daily basis, you form piles. Music comes in incessantly, and you can write about so much of it. Yet, when you do it on a free-will basis, it can be old new, weird, or just straightforward pop.
We’ve just closed 2021, 50 years on from 1971, many are now claiming was the crucial year for modern music. And they just might be right, particularly renowned British journalist David Hepworth, who published his book on the year back in 2017, actually under two slightly differing titles (and covers) — 1971 Never a Dull Moment was subtitled both as Rock’s Golden Year and The Year Rock Exploded. An excellent book and an intriguing read, whichever version you pick up.
The book was recently re-worked and expanded into Apple TV+ documentary series, which brought yet another title change, reflecting a wider musical spectrum — 1971 — The year that music changed everything. The series has some brilliant rarely seen or forgotten footage that is a must-see. Still, the key question here is — did 1971 have such a musical significance?
The basis for the new hit documentary 1971: The Year That Music Changed Everything, now streaming on Apple TV+.
A rollicking look at 1971, rock’s golden year, the year that saw the release of the indelible recordings of Led Zeppelin, David Bowie, the Who, Rod Stewart, Carole King, the Rolling Stones, and others and produced more classics than any other year in rock history
The Sixties ended a year late. On New Year’s Eve 1970 Paul McCartney instructed his lawyers to issue the writ at the High Court in London that effectively ended the Beatles. You might say this was…
Late Lester Bangs is probably the first name that comes to my mind when piercing, observant rock criticism is concerned, but it seems his books are currently collecting dust somewhere, even though they have not lost any of their relevance.
He is also one of the authors that not only shaped my personal views on music, but also the style of writing I’m trying to pursue.
Before his untimely death in 1982, Lester Bangs was inarguably the most influential critic of rock and roll. Writing in hyper-intelligent Benzedrine prose that calls to mind Jack Kerouac and Hunter S. Thompson, he eschewed all conventional thinking as he discussed everything from Black Sabbath being the first truly Catholic band to Anne Murray’s smoldering sexuality. In Mainlines, Blood Feasts, Bad Taste fellow rock critic John Morthland has compiled a companion volume to Psychotic Reactions and Carburetor Dung, the first, now classic collection of Bangs’s work. Here are excerpts from an autobiographical piece Bangs wrote as a teenager, travel essays,…
Greil Marcus is one of those authors that does not only look at music as an isolated phenomenon, but also details its cultural, social as well as political background. In Invisible Republic he covers the phenomenon of Bob Dylan’s Basement Tapes, both from their musical but also cultural aspects.
Focuses on the production of the Basement Tapes, the suppressed recordings made by Bob Dylan and The Band in 1967 in Big Pink, Woodstock. This book returns to the folk/mythological preoccupations of Greil Marcus's "Mystery Train: Images of America in Rock 'n' Roll Music".
In many ways, this book by one of the rock critic veterans covers almost exactly the period in modern music history that relates to my perspective book. It is a collection of his early writings, partly at the time when he was the music editor at Village Voice. Personally, Christgau is one rock critic that perfected the art of album/single reviews.
Scottish author Cosgrove wrote probably the ultimate trilogy of books covering the 1967-69 period of soul music, of which the ‘68’ tome dealing with the Memphis sound and southern soul is one. Cosgrove is another author that looks at all the cultural and social aspects of music with an easy and understandable writing style that keeps you turning the pages with ease.
In the 1950s and 1960s, Memphis, Tennessee, was the launch pad of musical pioneers such as Aretha Franklin, Elvis Presley, Johnny Cash, Al Green and Isaac Hayes, and by 1968 was a city synonymous with soul music. It was a deeply segregated city, ill at ease with the modern world and yet to adjust to the era of civil rights and racial integration. Stax Records offered an escape from the turmoil of the real world for many soul and blues musicians, with much of the music created there becoming the soundtrack to…
Writing about any specific subject, even if it is something so imaginative and free-wheeling like music can have its constraints, particularly if it is done for specific publications. Printed or online. Having your own space or space, where you can express your opinions and ideas about a certain subject gives you the possibility to express yourself in writing form and show what you really feel and think.
When discussing music, my outlet in that respect is ‘From the Piles.’ As a writer who deals with music reviews on a daily basis, you form piles. Music comes in incessantly, and you can write about so much of it. Yet, when you do it on a free-will basis, it can be old new, weird, or just straightforward pop.
After Dr. Shawn Jennings, a busy family physician, suffered a brainstem stroke on May 13, 1999, he woke from a coma locked inside his body, aware and alert but unable to communicate or move. Once he regained limited movement in his left arm, he began typing his story, using one hand and a lot of patience.
With unexpected humour and tender honesty, Shawn shares his experiences in his struggle for recovery and acceptance of his life after the stroke. He affirms that even without achieving a full recovery life is still worth…
Locked In Locked Out: Surviving a Brainstem Stroke
After Dr. Shawn Jennings, a busy family physician, suffered a brainstem stroke on May 13, 1999, he woke from a coma locked inside his body, aware and alert but unable to communicate or move. Once he regained limited movement in his left arm, he began typing his story, using one hand and a lot of patience.
With unexpected humour and tender honesty, Shawn shares his experiences in his struggle for recovery and acceptance of his life after the stroke. He affirms that even without achieving a full recovery life is still worth…
